Casca is disturbed by the earth’s shaking and the fire dropping from the heavens. As a crowd gathers in front of the Capitol, Caesar arrives at the Senate House. They celebrated this but was interrupted by Flavius and Marullus. Caesar is about to be offered the crown of Rome, a fact which divides the people around him. The play ‘Julius Cesar’ is one of the greatest works of the famous writer Shakespeare. In his home at night, before the other conspirators arrive, he speaks of how those who gain power often ignore the base degrees from which they’ve climbed. In all of Brutus’ speeches, be they public or private, he always puts Rome first. The author portrays Antony’s diction as being both benevolent and deceitful because his morals lie in bettering Rome, but his motives are to go against Brutus’ rule and avenge the death of his beloved Caesar. The play, here titled “The Tragedy of Julius Caesar,” begins with a crew of plebes dressed in gray masks, white dreads and jean shorts. He had multiple motivations. Cassius is constant, though, towards his friend, Titinius, when he, believing his friend has been taken by the enemy, kills himself. A great deal is said about Caesar in the play, even though he only appears in three scenes. “Why, man, he doth bestride the narrow world/Like a Colossus, and we petty men/Walk under his huge legs, and peep about/To find ourselves dishonourable graves./Men at some time are masters of their fates:/The fault, dear Brutus, is not in our stars,/But in ourselves, that we are underlings.” –Cassius, Act I, Scene ii, lines 135-141, 3. Instead, Metellus Cimber's actions are a trick on the part of the conspirators to get close enough to Caesar to kill him, and to keep others who may help away. Power is defined as a position of authority or control with the ability to do or act upon you will. Cassius argues for the former, while Brutus argues the latter, based on the principle of inconstancy. Julius Caesar’s constancy seems the greatest of all. Here's an in-depth analysis of the most important parts, in an easy-to-understand format. Brutus’ argument was that Romans should rebel against unjust ruling, which is certainly a worthy cause. In The Tragedy of Julius Caesar (First Folio title: The Tragedie of Ivlivs Cæsar) is a history play and tragedy by William Shakespeare first performed in 1599. Shakespeare utilizes Antony’s heartfelt diction in order to turn the crowd’s motives towards revenge because it is easy for the public to relate to a king who benefits his fellow man. Even though Antony was right in defending Caesar’s values, Brutus’ morals showed a commitment to country and public responsibility that could ultimately be more important to Rome. Even though Antony emits a cordial semblance during his speech, his inner motives lie in persuading the crowd from their original beliefs in order to avenge Caesar. Brutus was seeking justice for a whole country, which cannot be achieved without hard work. He is a powerful public figure, but he appears also as a husband, a master to his servants, a … The play The Tragedy of Julius Caesar, written by William Shakespeare, is written taking place with a very powerful and rogue ruler, Julius Caesar, and focuses on Brutus' struggle between the adverse demands of patriotism, honor, and friendship. She posits that there is a relationship between the reader and […], Hawthorne wrote his great, psychological novel, The Scarlet Letter, not only in the literal sense, but also symbolically to thoroughly instill his strong ideas into the minds of readers. First performed around 1599, when the English royal succession was uncertain, Julius Caesar confronts the dangers of political turmoil. Brutus has some hesitance when granting Antony permission to speak in reference to Caesar’s death. Mischief, thou art afoot,/Take thou what course thou wilt,” Antony says as he watches the people of Rome riot, loot, and search for revenge for Caesar’s death (Act III, scene ii, lines 261-262). He has some virtues as well as some vices. Some people want him crowned king, others fear his ambition will make him a tyrant if crowned. “Brutus, come apace,/And see how I regarded Caius Cassius./By your leave, gods. So Caesar may.” (Brutus, Act II, Scene i, lines 18-27). Julius Caesar Prophecy Analysis 1184 Words | 5 Pages. They are enemies of Caesar in politics who are planning to topple him down. His ascent to the throne—and the political unrest surrounding it—drives the plot and produces the play’s central tensions. Later, when she fears for him and his shaky fortunes in the wars after killing Caesar, we learn she’s killed herself by swallowing burning coals, or fire, as it says in the text (Act IV, scene iii). Character Analysis in Julius Caesar Julius Caesar: At the play’s start, Julius Caesar is the sole ruler of the Roman Republic, having recently defeated Pompey. “I will this night,/In several hands, in at his windows throw,/As if they came from several citizens,/Writings, all tending to the great opinion/That Rome holds of his name; wherein obscurely/Caesar’s ambition shall be glanced at.” (Cassius, Act I, scene ii). Agent is Julius Caesar. “Friends, Romans, countrymen, lend me your ears;/I come to bury Caesar, not to praise him./The evil that men do lives after them;/The good is oft interred with their bones;/So let it be with Caesar.” –Mark Antony, Act III, Scene ii. Some critics, … The author uses Antony’s repetitive diction to prove the opposite of its connotation. –Then fall, Caesar!” –Caesar, Act III, Scene i, line 77, 6. He fears the growing power of Caesar, but is inconstant with the truth when he forges letters of complaint about Caesar’s tyranny, and has them tossed in the windows of Brutus’ home to trick him into joining the conspirators. Blindly Following Julius Caesar is a play with many central ideas, but one in particular stands out to its readers. When Antony states, “[Caesar] hath brought many captives home to Rome whose ransoms did the general coffers fill: Did this in Caesar seem ambitious?”, he is forcing the crowd to focus on the benefits of Caesar’s rule (III.ii.87-89). lines 73-77, 8. “…but for mine own part, it was Greek to me.” –Casca, Act I, Scene ii, around line 282, 4. The play revisits the great roman emperor Cesar and the events that occurred leading to his death. He first defined what a tragedy is: A drama which contained hubris, pathos and/or bathos, and the most valued element in a tragedy, a tragic hero. 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